Wednesday, August 10, 2011
BOOK REVIEW: Creating Comics from Start to Finish
Publisher: North Light Books
Release Date: 2011
You will discover in detail how comic books are made- from brainstorming, writing and editing to penciling, inking and colouring- as told by top professionals who offer real-world advice for breaking into and staying in the business. Also discover in-depth interviews with respected industry insiders who've worked for such powerhouses as Marvel, DC, Dark Horse and Image Comics, including: MIKE MARTS (X-Men, Batman), MARK WAID (Kingdom Come, Spider-Man, Flash, Irredeemable), DARICK ROBERTSON (Wolverine, The Boys, Transmetropolitan, Conan, Deadpool), BRIAN HABERLIN (Witchblade, Spawn, X-Men), RODNEY RAMOS (Batman, Wolverine, Transmetropolitan), CHRIS ELIOPOULOS (Pet Avengers, X-Men, Ultimate Spider-Man, JOHN CERILLI (Marvel Digital Comics), plus unprecedented interviews with Marvel Comics Editor-in-Chief JOE QUESADA and comics legend STAN LEE.
About the Author
Buddy Scalera is a comic and graphic novel writer, and he was the creator and editor of Wizard Entertainment’s WizardWorld.com and WizardSchool.com websites. He is also known for his photography as the author of the bestselling Comic Artist’s Photo Reference series (IMPACT Books) and CD-ROM series Visual Reference for Comic Artists. He also self-publishes with After Hours Press. Scalera has hosted sessions on creating comics at WizardSchool.com online and Wizard School workshops at Wizard World conventions; and he also wrote and hosted ComixVision, A cable TV show explaining the comic hobby, for over four years. Visit his website www.buddlyscalera.com.
This educational reference book uncovers the complete workflow of comics from concept to completion. Rather than focus on just one small part of the business, “Creating Comics from Start to Finish” gives a deep, intelligent look at the people who create comic books. It’s truly a comic school in book form for people considering a career in comic books.
This how-to-create-comics book is definitely aimed at the old-school, “I want to make superheroes” aspiring creator, from the big back-cover headline “You can work professionally in comics!” to the list of those interviewed, which includes Batman editor Mike Marts, Mark Waid, Darick Robertson, Joe Quesada, and Stan Lee.
The book feels to me like an instant time capsule of how things used to be. The modern way to build a career in comics is to make your own, self-publish or post them on the web, and drive your own future instead of waiting to be selected by an editor or company.
Unlike many how to books that begins the creation process with the often used penciling tutorial of shapes and manikins, Buddy instead starts with the role of the editor. This, if one thinks about it, makes perfect sense. The editor is the one around which all the activity of a comic book revolves. As Buddy clearly illustrates, the editor is involved on each aspect of the creation process up to the point of distribution. This is also the first foray into what makes this book unique. In addition to his own insights, Buddy seeks the opinions of creators in each of the disciplines. In the case of editors, he talks with DC's Batman group editor Mike Marts. Marts believes that if things go well, an editor will take none of the credit but will take all of the blame if things go wrong. He also says one of the best parts of his job is discovering new talent and giving those people works. The thing he finds the most challenging is getting everyone on the same page.