Friday, October 22, 2010

Review: Ninth Grade Slays: The Chronicles of Vladimir Tod by Heather Brewer



Published: 02/08/2010
Format: Paperback , 288 pages
RRP: $14.95
ISBN-13: 9780143205159
Imprint: Penguin
Publisher: Penguin Aus.

Review By Eve Wilson

If middle school stunk for Vladimir Tod, high school is a real drain. Besides being a punching bag for bullies, he's still stalled with dream-girl Meredith, and he's being tailed by a photographer from the school newspaper. Needless to say, practising his vampire skills hasn't exactly been a priority for Vlad - until now. A monumental trip to Siberia with Uncle Otis is Vlad's crash course in Vampire 101. Training alongside the most gifted vampires is exactly what Vlad needs to sharpen those mind control skills he's been avoiding. And he'd better get it right, because the battle brewing back home with the slayer who's been hunting him could be Vlad's last.

vladtod.com

Visit the author online at heatherbrewer.com for blogs, forums, minion bling and more . . .

I'm impressed with this new series about Vladimir Tod. In this book he returns to school, this his first year at Bathory High. I like how the titles of each book make fun of the grade he is in at High School, as a teenage I can understand it completely.

Another year and Vlad encounters many of the same obstacles he did in 8th grade, like the girl he likes but is too shy to talk to, (come on guys you’ve got to come up and talk to us, we’re just as shy to), there’s the two bullies that won't leave him alone; trying to hide the fact he is a vampire from his classmates) but the author does a great job of weaving in even more conflicts and twists and turns in the plot.

Vlad’s character is even stronger and more likeable in the second book in this series and I can’t wait to see what he gets up to in the tenth grade.

Review: Eighth Grade Bites: The Chronicles of Vladimir Tod By Heather Brewer



Penguin (2007)
ISBN: 978-0-14-320514-2
Vladimir Tod

Normal eighth-grade student?

Or powerful vampire?

If you thought eighth grade was tough, try it with fangs and a fear of garlic.
Junior high really stinks for thirteen-year-old Vladimir Tod. Bullies harass him, the principal is dogging him, and the girl he likes prefers his best friend. Oh, and Vlad has a secret. His mother was human, but his father was a vampire. With no idea of the extent of his powers and no one to teach him, Vlad struggles daily with blood cravings and enlarged fangs. When a strange substitute teacher begins to question him a little too closely, Vlad worries that his cover is about to be blown. And then he realises he's being hunted by a vampire killer, and suddenly hunger, girls and bullies seem not quite such a problem after all.

http://www.penguin.com.au/products/9780143205142/eighth-grade-bites-chronicles-vladimir-tod

Reviewed by Eve Wilson

The Chronicles of Vladimir Tod books are a great new series that i am going to be following like the Skulduggery series. It only took me a day to read both of the first two books in the series.

The story is about Vladimir Tod, who is a 13-year-old vampire, with a vampire father and human mother who had just died three years earlier.

Tod ends up living with his mother’s best friend, “Aunt” Nelly. His Aunt is a nurse and she keeps him supplied with blood from the hospital With his best friend Henry by his side, Vlad navigates bullies at school, a crush on a nice girl, and growing up, none of which are easy. But then his favourite teacher disappears, and the strange substitute who takes his place starts to make Vlad feel very uneasy.

Fans of Darren Shan, would also probably enjoy this new series as it is written in a similar style, but not as gory, so younger readers will be able to read it to.
Great new series.

Review: The Confessions of Catherine de Medici by CW Gortner



H&S Fiction
9780340962961
$32.99
Paperback - C Format
July 2010
416 pages
Historical Fiction

http://www.hachette.com.au/books/9780340962961/


Passion, adultery and betrayal in the court of one of history's most-maligned queens.
I was ten years old when I discovered I might be a witch…The sixteenth century: the era of queens. Catherine de Medici is an impressionable, mystical girl. She is orphaned and taken hostage by her enemies, and manipulated by her advisors; yet she is to become France’s most powerful regent. History will make her name synonymous with evil, but she is all too human. Humiliated at the hands of her husband and his mistress, and haunted by her gift of second sight, she must rise above her troubles and fight to save her dynasty and adopted country from the brutal Wars of Religion…In THE CONFESSIONS OF CATHERINE DE MEDICI, C W Gortner vividly depicts the turbulent life of one of history’s most notorious yet misunderstood women.
ABOUT THE AUTHOR
C.W. Gortner is half-Spanish by birth and his formative years were spent in southern Spain, where his lifelong fascination with history began. After years of working as a fashion marketer and editor, he returned to college to pursue a Masters in Fine Arts in Writing. He lives in Northern California with his partner of thirteen years and their Welsh Pembroke Corgi, and welcomes visitors at: www.cwgortner.com

Review by Susie Wilson

Another excellent book by GW Gortner. I couldn’t put it down. Having read many historically based novels, I find it hard to become enthralled by a new book. But this novel captivated me. It was well written and action packed. The development of the characters through the passing of the years is interesting.

Let’s just say it’s no Barbara Cartland novel, with flowers and kisses. Expect more desires, murder and mayhem. As you begin to get to know the main character, each new page will give you an intimate view of her life.

Fear, frustration and lust are just some of the emotions that you will feel reading this excellent novel.

Very entertaining, buy yourself a copy now!

Review: Immortal Beloved by Cate Tiernan


Reviewed By Eve Wilson

H&S Fiction
9781444707052
$22.99
October 2010
416 pages
Modern & Contemporary Fiction

http://www.hachette.com.au/books/9781444707052/

o, the whole immortal thing. You must have questions. I don't have all the answers.' Book One in a deeply alluring and irresistibly compelling crossover paranormal trilogy...

New name, new town, new life. Nastasya has done it too often to count. And there s no end in sight. Nothing ever really ends . . . when you re immortal. But now, after centuries of feeding from the lives of the innocents around her, of living with little care for others, Nastasya is ready to turn towards the light. After some of the events I ve witnessed I felt like I was a shell with nothing alive left in me. I hadn t been going around killing people, but people were hurt the memories just kept trickling in like rivulets of fresh acid dripping into my brain until I wanted to scream. It was in my blood, I knew. A darkness. The darkness. I had inherited it, along with my immortality and my black eyes. Captivating, intense and with an incredible and original voice, EVERLASTING LIFE is a haunting story of friendship, love and secrets, tragedy and loss. Sometimes life is eternal…

ABOUT THE AUTHOR

Cate Tiernan was born in New Orleans, LA. She loves the idea of magick, and tries to write worlds that she would prefer to live in. She currently lives in North Carolina with her husband, four children, and a bunch of pets.

Review

What do you get when you combine immortals and vylieings? Sweet, sweet muscles.

Immortal Beloved is about the struggles of Nasty, a young girl by appearance, who is really hundreds of years old. Not knowing much about who, what and why she is, Nasty finally starts losing her friends. She also finds herself becoming extremely more dangerous with age. So with that, the party girl goes to a small town to live with a bunch of other immortals. It is like a bunch of Lindsay Lohen's doing rehab in this strange and unusual place. There Nasty learns to live, interact and be at peace with mortals. She also meets a mysterious vyleing like man who seems to be somewhat familiar to her but she can’t place why.

This book is worth reading and I can’t wait for the second one.

Tuesday, October 12, 2010

My Little Boy by Gwendolyn Joyce Mintz

A single child — a boy child— of a single parent — a woman, lonely and
yes, fearful — but he needed to find his own strength. She didn’t want
her son to cling to her, and believing it was in his best interests,
she did not want to hold on.

She wanted him to become a man unafraid to take risks; unlike his
father who had been unable and unwilling to do anything lest he fall
under his own mother’s judgment.

But — there on the news. Everyday. Another child. Amber Alerts.
Innocent grins haunting you from flyers on the convenience store
windows. She always bought milk in the paper cartons so he would know:
Have you seen me?

He was her joy. Silly, though. One morning they were walking to the
school and he began draping his hands over his body; the sides of his
head, his shoulders, his hips. A swivel of them.

“Stop it,” she’d told him, embarrassed that someone might see.

He had simply grinned and said, “What? I can’t do the Macarena on the
way to school?”

And he was growing up so fast! He was no longer content with her
company; he wanted to play with the neighborhood boys. Outside. Trees.
“Chicken” when a car approached. Jumping self-made, sky-high ramps
with their skateboards.

She didn’t want to nag. But she always said “Be careful. Mijo, be careful.”

She didn’t know if she was getting through.

“There are people in the world, “ she would say, and he’d mock her and
reply, “There’s lots of people in the world.”

“You know what I mean. The world —”

“ —isn’t a safe place anymore. Somebody might take me,” he’d mimic
her frequent warnings and she’d smile and jokingly say, “and I don’t
want them to, unless they promise they’ll keep you.”

And then they’d chuckle and he'd dash out the door to be with his
friends. To explore. To risk. To dare.

She would stand at the screen door, knowing there was only so much she
could do.

She remembered the day he got lost in Kmart. They were passing the
electronics department and she told him that he couldn’t stop to play
the display Nintendo. She’d continued walking, glancing at the items
on the ends of the aisles and then she’d turned, heading to the
registers.

She'd thought he was behind her. Immediately she panicked and strode
back to electronics. He wasn’t there.

“Danny!” she called, rushing to the toy department. “Daniel! Mijo!”

There were children in the aisles, stabbing the ‘try me now’ buttons
and crashing Tonka trucks across the floor, but there was no sign of
her son.

She’d rushed to the customer service counter, asked to have him paged.

“I’m going to see if he went to the car,” she’d said, as she shoved
aside the glass door and rushed outside.

He was not there.

Rushing back into the store, she was met by the concerned faces of the
manager and the customer service clerk. No one had answered the page.

Her heart beat wild enough to confuse her. Daniel!

And then, as if a miracle, hadn’t he appeared?

Her heart beat tears into her eyes and, though she wanted to choke
him, she threw her arms about his shoulders and said, “Where were
you?”

And he had laughed about her concern. He had been in the bathroom. He
hadn’t heard any page.
Be careful, Daniel, her heart whispered. Be careful.

< >


He had simply lost track of the time, she thought as she walked down
the block to Kenny’s house. Playing video games. Climbing trees.
Seeking a new adventure. Never thinking of a woman waiting back home.
It had to be, she thought, something in the male gene.

A group of boys played in the street and she searched for her son, but
he wasn’t one of them.

But he wasn’t at Kenny’s. “He left about an hour ago.”

Or Robbie’s. “I saw him with Kenny this morning.”

Yes, try Cesar’s. “He hasn’t been here.”

She walked home, each step an effort. Her cries throughout the
neighborhood unanswered. She had to call someone —

The police?

“Daniel!” she yelled into the night. “Daniel!”

< >

How she got from that moment to this one, she did not know. Who chose
his clothes? He looked handsome, she thought. But he didn’t look like
he was sleeping. No, he looked sweet when he slept and lying there
against the satin lining, he simply looked unreal.

“My little boy,” she whimpered as she stared at him.

“My little boy. My little boy. My little boy,” she cried as she
collapsed into her grief. But there was one moment, when a sliver of
her anger cut through, and she wanted to scream at him — Why didn’t
you listen to me? — momentarily feeling as though he’d gotten what he
deserved.

Miss Ass by Joseph Carfagno

I know it is trite but I can’t help it: whenever I stand in a crowded subway car and feel my buttocks jiggle – I have gained some weight over the past fifteen years -- as the express arrives at or departs from a station, I compare myself to a piece of cattle headed with its mates to the stockyards of Kansas City or Chicago. My eyes stray from my reading material or companion’s eyes to the inviting or threatening countenances of my fellow commuters. The passengers read their holy books, nod to their music. Seldom and then only briefly do our eyes meet. The train stops short, I am jostled, and invariably I think of Miss Ass.

I was selling business intelligence (not an oxymoron) or data mining software then. I’m not sure what to call those products now, I haven’t kept up with the field. I am selling more tangible things nowadays. Miss Ass was the administrative assistant for a potential client. This was in the midtown headquarters of a huge multinational firm. When I entered her work area for the first time, she beckoned me to sit while she checked on her boss’ availability. I noticed she had an attractive figure but didn’t think any further about it. There are many beautiful women in New York. I am a professional salesman with a family to support. If a client caught me ogling his employee, I could lose a sale. I simply sat on a comfortable chair and thumbed through some of the magazines scattered on the adjacent table.

Our meeting ran late. At length my client checked his watch and told me he needed to leave soon to catch his train home. He walked me to the elevator himself: Miss Ass and most of the staff had gone home for the evening. I shook hands with him upon parting, thinking only of a potential sale.


* * *

A few days later I was catching up on some paperwork at my desk when a colleague asked me about Miss Ass. I swiveled in my chair and looked up at him. “Excuse me?”

“You haven’t heard of Miss Ass?” A few other salesmen gathered round him.

He recited the tale. “She’s often cited in the medical literature. She was born deformed. Her heart and lungs were so weak that the only original part of her that could be saved by the doctors was her buttocks. Somehow, no one is quite sure how, through the heroic efforts of some ambitious doctors and cutting edge medical technology, she survived. Eventually she left the hospital and was able to lead an almost normal life.”

“She looked like any other admin to me.”

He whistled. “I’ve heard the technology has really advanced. Seeing is believing. But tell me about her ass.”

I recalled seeing her stretch in her tight skirt as she opened her boss’ door a crack. I remembered how she returned to her seat. I stood up, stretched, craned my neck. No women had ambled over. “It’s spectacular.”

* * *

Eventually our team made the sale. On a late Yom Kippur or early Columbus Day – a Monday in the early fall, at any rate -- my manager asked me to pick up some papers from the client. I hadn’t been to their office in months. I sat in the vestibule waiting for the boss to appear. Miss Ass was not at her desk. Finally he arrived. He shook my hand, smiled, ran his hand distractedly through his thinning hair, rummaged through the materials in Miss Ass’ impeccable work space, found nothing, and went back into his office. I made myself inconspicuous so as not to flummox him further. When the boss reemerged from his office, he apologized. “Miss A. has the papers. She’s working from home today. It’s a school holiday.” I agreed to pick up the papers at her home in Sheepshead Bay.

I really didn’t have much choice, I reflected, as I boarded the Q train. We needed the papers to book the sale in the third quarter. This was a light day. I had meetings scheduled throughout the rest of the week. Of course I also wanted to see how Miss Ass lived.

She lived in a two bedroom apartment on the fifth floor of an elevator building overlooking a playground. As she buzzed me in, she told me I could just walk into her apartment: the door was unlocked. She had set up a small office space near the window of her bedroom. The papers I sought were on top of a two drawer filing cabinet near her desk. She seemed distracted. I glanced at the jumble of things strewn about her dresser, end table, and thin bed. Apparently she did not live with a man.

After an awkward silence, Miss Ass asked me if I had everything I needed. I assured her I did. She smiled and told me that her son had overslept and was then in a hurry to join his friends. She hadn’t had time to tidy up; besides, she wasn’t expecting any visitors. She pointed the boy out to me – a mixed-race child of eight or nine slightly smaller than his peers but otherwise completely normal. “He’s very handsome,” I told her.

Miss Ass swiveled in her chair and beamed.

Almost Equal by Edward Rodosek

The Anti-G limousine slid a few inches over the avenue surface and stopped in front of the discreetly lit entrance into an upscale nightclub. Here, although only remotely removed from the vulgar strip of Las Vegas casinos, it was agreeably tranquil. A lady in a long dress with a low neckline dress entered a special compartment and a gentleman in a tuxedo followed her.

The huge stage spun slowly, and a new setting appeared. Sand was spread out over the floor; a thick, pointed stockade enclosed the battlefield. A tall black man with a trident and a net entered from one side, and a broad-shouldered Nordic with a sword and a shield entered from the other. The audience waited in silent anticipation, with neither a cough nor a restless rustle to be heard.

The black man swung the net, and the Nordic parried it with his shield. Both their weapons were quickly entangled in a useless jumble, which they quickly tossed aside. There was a clash of the sword on the trident, a swift attack, and an equally swift retreat. When one of the gladiators fell, he righted himself in a lightning-like motion and warded off a strong stroke with an even stronger blow.

The woman's eyes shone and her chest raised and lowered quickly. Suddenly, the gentleman's cell phone rang and he answered the call. Before he finished talking, the performance was over. Two attendants were carrying the dead fighter away on a stretcher. The other one was lamely making his way out of the arena, leaving a trail of blood behind him.

The gentleman didn't bother to ask his companion who'd won. There'd be another fight in a few minutes.

***

The earsplitting sound of the alarm siren woke me up brutally. A usually reveille at daybreak, just as every morning.

I swung my feet onto the floor and joined all the other cyborgs in our huge dormitory to gain a good place in the lavatory and in the long row before the counter in our eating hall.

Just another day in my life, I thought, which an endless routine of pain and hard work was. And I knew for sure tomorrow would be another backbreaking day like today.
During breakfast, there was the only time of questioning myself about the destiny that was waiting for me. Here, on lousy ‘Polygon Seven’ of the damned ‘Cyborg Academy’, I was told only that several hundred other cyborgs and I must practice to be ready to fight hostile aliens, should they attack Earth.

Not one of us had a personal name. We only had marks--CC for Cyborg Corporal and CP for Cyborg Private--and then a number. I'm a cyborg private, and my mark is CP-765. Simple and convenient.

We were all allowed to choose personal names for us. I have not chosen a personal name for me. None of the names seemed any better than the others.

I didn’t have any friends among the other cyborgs anyway. Cyborg Corporal-76 was the only exception. Maybe it was because he was leading our unit of ten cyborg privates, or simply because he was a real pal.

***

Whole classes of teenagers, with two teachers were hustling through the afternoon crowd, which was usual for Rio de Janeiro.

Several blocks down was the main entrance into a large multimedia hall. In the front of the hall, a huge holographic advertisement appeared.

‘The management wants to inform the esteemed audience members that they will see a live broadcast of real time events. There will be no acting, holotricks, or computer animation--only exclusive reality. A special control commission, composed of well-known personalities, guarantees the genuineness of everything that you will now see and hear.’

The holograph gave way to a scene of a gentle slope overgrown with grass. Several dozen soldiers turned up and darted into some bushes for cover. They were worn the colorful uniform of Spanish conquistadors, with pointed helmets on their heads and muskets in their hands. Suddenly, a cluster of arrows flew toward the soldiers. One of them slowly collapsed on his knees; then another one staggered. A throng of bronze-skinned men stripped to the waist, rushed out of the wood, and started to wade across the river. Some of them fell with the muskets' fire.

Then there followed a close-up. A soldier with a pierced throat was lying on the dry grass, one of his arms grotesquely twisted across his body. Everybody in the audience knew he was dead, although his body didn't appear that way. Screaming shouts from the audience demanded more blood. The following broadcast kindly complied with these requests for the audience was king, always.

***

CC-76 lit up his pipe and spat on the ground. “Tell me, CP-765, why on earth are you reading this damned book every spare time?”

I shrugged. “I suppose it’s because I simply like books.”

CC-76 took a quick look at me. “This book--what is it about?”

“Well, about real life. A historical book.”

“About real lives of real people?”

“Why not, damn it? We both know, deep in our hearts, that you and I are people. A special kind of human species.”

CC-76 shook his head. “There you're wrong, lad. Don't forget you're a cyborg, and the decisive difference is that we don't live. We just exist.”

I wanted to argue, but knowing he was right, I said nothing.

“Don't forget,” said CC-76, “that we cyborgs are property, an item in a stock book. Every cyborg has a market price that can be easily calculated.”

I felt a bit annoyed. “You're talking as if I were some kind of machine. But I'm a living creature. Somewhere I have a biological mother and father who–” I suddenly stopped.
CC-76 was watching me ironically, but with some benevolence. “Do you hear at all what nonsense you're talking? You best forget it. Tell me, about that book of yours. Just a few words.”

“Well, longtime ago there were many thousand of slaves without any right and a limited number of their rulers. They treated the slaves badly and had right to kill any of them without an explanation. One of the ordinary slaves called Spartacus was also unique in a way--a man who made history.”

“Go on.”

“One day he said that enough was enough. And then he started a glorious although unsuccessful rebellion of slaves against the superior force of their masters and suppressors.”

CC-76 stared at me. “Lad, you should be more careful in your choice of a hero.”

***

The historic ‘Kremlin Citadel’ in Moscow was veiled with huge, brightly illuminated advertising panels. All the squares and boulevards were teeming with people and we, about two dozen of cyborgs, were mixed among them. The expectations of the entire gathered crowd were great for the kind of fight that would be performed for the first time that day.

On the central square, a gigantic screen, composed of 256 regular screens, was erected. The well-known face of Oleg Suvorov appeared on it.

“Tonight you're going to see the newest world sensation--the real fight of our strongest battle-scarred hero with seven Siberian wolves! The fight will last until our hero kills them all or leaves the battlefield dead. The fight will start at eight o'clock sharp. Please remember to hold on to your ticket; immediately following the fight will be a raffle with sensational prizes.”

In the crowd two men were making to shorten the waiting for tickets.

“During our holiday,” said the fat man, “my wife and I were in Paris, France, and we decided to watch that new gimmick--you know what I mean?”

“You mean ‘The Real Fights’?” prompted the lanky man.

“Exactly. After the battle ended, they drove the dead bodies very close to our seats as they passed. My Elvira almost fainted away, I'm telling you.”

The lanky man nodded. “I can understand that. My girlfriend and I saw The Real Fights in Spain. I think everyone has to follow what's modern.”

“In Spain?” asked the fat man.

“Yes. To be exact, in Toledo, in the same arena where the most famous bullfights used to take place in times past.” The lanky man grinned. “I won a nice bet with a Spaniard. He was sure the Los Toreros would win the fight four against four.”

***

As every morning we began with exercise: a quick pace, sprint, then hurdles, crouching under barbed wire, climbing over high barriers, and swarming up the ropes.
I breathed hard and my pulse sped, but I persisted. If a cyborg failed with those tasks, he got penalty points in his personal file. More than thirty penalty points meant that a special inquiry board would judge about the cyborg's further applicability. All of us knew what that meant, but nobody ever talked about it.
After lunch, we attended lectures about how we should fight in various circumstances and with different weapons. Then we moved to the gym where we began with seven or eight fencing skills with odd Japanese names. I grabbed my partner, he grabbed me, we tangled, and we fell so hard we both lost our wind, but then we leaped and turned around, trying to kick the opponent. CC-76 directed us on our faults, intervened when necessary, and pushed us to attain an ever-greater combativeness.

After we took our showers, dinner was served, and even before we could finish eating we heard the siren for lights out. Only the emergency lights were left on. Despite the pain in all my exhausted muscles, I sank slowly into an uneasy sleep.
Suddenly, a regardless hand shook my shoulders to wake me up. It was my turn to go on the night watch.

***

On all the roads to the huge parking platforms around the hopeless crammed Wembley stadium all the vehicles moved at a snaillike pace Big Ben announcing the nine o'clock hour.

In an old-timer sat a typical family--parents with two kids, a boy and a girl. The father carefully stowed the parking ticket, and the family began to hustle through the crowd.

When they found their seats a tremendous uproar echoed from below. Heavily built young men with painted faces grappled with tattooed bruisers in black. All of them had large numbers on their backs. They were swinging knives, razors, iron bars, and nailed wooden clubs. Firearms were strictly prohibited since a stray bullet could wound the spectators.

Part of the audience began eagerly to watch the fight, but the others seemed unaffected, many of them chewing fish and chips, drinking tea from plastic cups, talking with one another, and cracking jokes. Along the outer edge of the arena, the judges were circulating on electric scooters and taking notes, trying to scope out possible fakers. On the sidelines, first aid people were waiting. After the spectacle, they would cart away the dead bodies and the seriously wounded fighters.
The father of the family yawned and rubbed his eyes sleepily. He’d probably driven over many miles, and now he was obviously wondering was it worth all that trouble for watching nonsense like this. He sighed deeply and his face showed his gloomy feelings--oh, no, how much better those staged fights had been...

***

A northerly wind was blowing, and the night was extremely cold. I stamped my feet and blew in my fists to try to keep warm on my sentry point. It was the first time I had been on guard here, next to the command barracks. Normally, only human guards were allowed in this area, but lately some sort of flu had been spread among the humans, so I was ordered to the post.

I slowly moved nearer to the light that shone through the windows; it at least gave me an illusion of warmth. Finally, I came close enough to distinguish what was being said. Not moving, I examined the scene before me, ears tuned for the slightest sound that might reveal my illegal presence. I noticed one of the windows was ajar, and I could hear fragments of what three or four of the sergeants were talking about inside.

Holding my breath, I began to eavesdrop, numb with confusion.

On the opposite wall a huge holo screen was lit and I could see nearly the whole scene.

Several dozen well-dressed people were sitting at a long desk in a luxurious hall. They fell into low-voiced conversation. Then a large folding door opened, and the chairman, a dignified old man entered. He immediately sat down at the desk and started to read from a single sheet of paper.

The faces of the gathered stockholders gradually relaxed, and several of them even smiled. When the speaker finished, applause resounded in the hall. All leaped from their seats, striving to shake hands with the chair. Two waiters began to serve champagne, while everyone proposed toasts to one another.

I stood there motionlessly, a bit confused, nearly forgetting my own safety. Why this meeting was so interesting to the present sergeant? And why was so important to deserve a holovision broadcast?

Then the door of the hall opened again, and eager reporters entered droves, while several camera operators recorded the historical event. The chair started talking into the many mikes and tape recorders now in front of his face.

He was talking slowly, giving well-considered expression to his words. He explained ‘The Real Fights’ were the turning point in modern society. They were in striking contrast with so-called ‘entertainment’--movies, TV serials, and so forth--with its mere reenacted fiction. ‘The Real Fights’ did not lie to the spectators; they were offering only genuine reality. The spectators were prepared to pay for the truth, so they deserved to become it.

Besides, the first annual report of their corporation had proved ‘The Real Fights’ had brought the stockholders great financial success, which had no precedent.
At this very instant cognition flashed through my brain and it was like being struck by a thunderbolt. I was shaken to the core of my spirit. My thinking has degenerate to vagrant thoughts: loose fragments, impressions and partial memories swirled through my puzzled mind. There was nothing else I cared to think about at the moment.
I swiftly withdrew back to my sentry position, ruminating on what we cyborgs could do in that fatal situation. If anything at all.

**

Until my sentry shift was over at midnight, I hurried to our large dormitory, to the bunk of CC-76, and woke him up. I eagerly whispered in his ear, and he stared into my face, confused and undecided.

He finally got up, woke the other nine corporals, and they began to shake the sleeping privates. Without the wailing siren and the main lights, this took a lot of time. The cyborgs were sleepy; most of them swore, wanting nothing except more sleep.
I was eventually able to start speaking in the subdued blue light of the emergency lamps. I took a deep breath, speaking loudly because the dormitory was large.
“My dear comrades in arms, I'm sorry I must bring you this shocking news--but the people have been lying to us constantly, from the very beginning of our training. We were NOT preparing to fight against hostile aliens! Most likely, there are no such aliens at all. The people are in fact training us for their own entertainment--for bloody fights of cyborgs against cyborgs.”

A collective sigh that rose in anger emerged from the gathered cyborgs.

“We're nothing more than gladiators destined for the show named The Real Fight.

We're appointed solely for mortal combat, for exiting shows either live or before the holovision cameras.”

Several voices uttered, but CC-76 hissed angrily, and silence returned to the dormitory.

“This was attempted on the earlier cyborg generation on Polygon Seven, and it proved very profitable. However, the people now need new fighters because the show must go on. The spectators want real blood and real death. And we cyborgs are more than convenient for that purpose.”

A subdued murmur was heard, and I waited until it died away.

“We're easily exchangeable, we're well trained, and we have no other choice. If any cyborg disobeys the order to fight, the humans will eliminate him. And there are attractive lures as well. He who survives a fight he needn't fight again for a certain time.”

Several cyborgs lifted their arms, but I paid no heed to them.

“Next week, the commander of the ‘Polygon Seven’ is going to decide where each of us must go. The most skilled and smartest of us will appear in spectacular single fights, and all the others will be in a mass slaughter. It is already prepared, without asking us, of course. Who cares about the cyborgs?”

The windowpanes on the façade reverberated from the cyborgs’s angry screams. I saw their faces boiling with rage as they waved hands and firmly clenched fists.
I raised both hands until the tumult died away. “My brothers in misfortune, we must withstand the people's tyranny! Now, at once, for tomorrow will be too late. First we must make a plan and come to an agreement about our immediate actions.”

CC-76 spoke. “Just tell us what we need to do, and we'll do it.”

I stared at him and at the excited faces of my comrades. They obviously recognized me--a simple cyborg private with the mark CP-765--as their leader.

“Okay,” I began, “this is my plan.”

***

That night, cyborgs were on guard duty on all the posts except in the sentry tower at the main entrance of the ‘Polygon Seven’. Our messengers told them what was up, and they joined us right away. The night was quiet, and nobody except us seemed to be around.

We descended the stairs and crushed through the main entrance, wearing socks and holding our boots. Once outside, we began to run toward the small shed where the personal weapons were. We had to take the blasters and ammunition before we could attack the main hangar where the heavy weapons were stored.

Everything ran smoothly until CC-76 forced the lock on the entrance of the shed. All the sirens on the ‘Polygon Seven’ began to roar, the threatening sound piercing my ears.

The inside the shed was dark; we couldn't find the switch anywhere. Cyborgs hustled among the high shelves, stumbling over boxes on the floor, grasping what was close at hand. Somebody yelled the blasters weren't loaded, and everyone began furiously ransacking the place for cartridges.

Inside the commanding dormitories, several hundred yards away, all the lights went on. The sentry on the entrance tower aimed the floodlight on the shed and began to fire at us with a machine gun.

Disorderly and mostly at random, we tried to fire back. Near the main hangar, we could hear the consecutive ignition of chain trade vehicles. I realized that our attempt to attack the main hangar now would be suicidal, so I roared the command to retreat into the main building.

My comrades were confused and scared; they crowded together, competing with one another about who'd be the first safely inside. Somebody fell on the ground, and some others stumbled over him, a soul-stirring moan uttered from the crowd. Two cyborgs were sitting on the stairs: one with a wounded leg, the other holding his bleeding shoulder.

Somehow, CC-76 succeeded in gathering three or four cyborgs, and they began shooting against the officer's dormitory, covering our retreat. They uttered painful groans and ceased fire for a while. We made good use of the respite and ran into the main building.

***

The situation in the main building was disastrous. All the lights in the dormitory were lit, making every one of us an excellent target for the people outside. The instant I entered, one of the windows smashed into pieces, and a large scorched hole appeared on the opposite wall. There were no switches, for the lights were always turned on from the officers shed. Finally, CC-76 fired at the main plug with his blaster.

We were in the subdued dusk of the emergency light source once more. Cyborgs lay on the floor and leaned against the wall. Most of them were nearly paralyzed with panic. Several more windowpanes burst, and an enormous quantity of glass splitters was strewn all over the floor. The cyborgs that hadn’t had time to put on their boots had bleeding feet.

I ordered them to make as many protective barriers as they could and they began to push overturned bunks, bedside tables, and everything they could tear from the walls. Some inexperienced cyborgs started to fire at random from behind the heaps of objects, and I roared at them not to waste valuable ammunition. Confusion was total.
But I knew there wasn't any confusion among the people outside. Surely all the videophones available in the officer's shed were being used, and the commander of Polygon Seven was probably demanding immediate reinforcement.

I tried to chase away a feeling of foreboding.

I didn't want to admit what was obvious--an inexorable fact. We, the cyborgs, had no chance. We had never had a chance, not against well-organized and excellently equipped people.

We managed to seize nothing but small arms, and they could be effective only for a short distance. The people outside had all the weapons they needed. And what they didn't have yet, they would get soon from headquarters--heavy guns, armored cars, ground-to-ground missiles, bombers, and all the computer support they needed.
I knew the people did not intend to fight against us from a close range. Why should they risk casualties? They would simply stay at a safe distance, out of the range of our blasters. And then they would shoot at us with everything they had. They would shoot as long as a single rebel was alive, until every cyborg was dead, until only smoking ruins of the main building remained.

For what seemed an eternity, ominous silence permeated the main building.

The people were most likely waiting for the reinforcements they'd ordered. Nobody outside brought up a megaphone to call us to surrender. That meant there wouldn't be any negotiations at all. I was afraid the people had firmly decided on settling the thing with us once and for all, perhaps as an example--a warning to all the other cyborgs on Earth the people were not to be trifled with.

After that, there would never be another cyborg rebellion anywhere.

***

I squatted next to the windowpane to await anything suspicious outside. On the left and right, other cyborgs leaned against the wall. Behind me, CC-76 sat on the floor with the unlighted pipe in his mouth. Our glances met, and he nodded to me encouragingly.

Through the broken window, I could see eastward to where a wide, dark plain extended to the high mountains on the horizon. After a long time, the darkness gradually began to vanish, and then I saw a dreadful sight. Countless numbers of armed vehicles were approaching across that plain. Dark, menacing war machines, a threat of inevitable death.

My hands clung to the blaster, my pulse increased, and my jaw squeezed compulsively. All the cyborgs around me watched the same scene in horror, and all of us surely knew what destiny we could expect.

However, we were also united as never before. All of us--cyborgs, clones, non-persons, numbers--had been educated as slaves, as obedient servants or clowns for people. We were no longer prepared to accept that role. We were not adaptable enough to submit to destiny. We are too dumb to realize that life, even life spent on one’s knees, was better than outright death.

There was instantaneous lightning, a series of flashes, coming from that remote plain. The first grenades exploded around us moments later. One of them struck the roof of our building, and countless splinters of concrete and bricks scattered everywhere.

The day broke quickly. I noticed in the air... What could that be, for heaven’s sake?

Around us there were half a dozen odd things, things I’d never seen before, things I could not identify. Those could hardly have been weapons. The glimmering cylinders were about a foot high and levitating freely in the air--thirty to fifty feet above the ground, all the while briskly moving around.

And then a sudden awareness pervaded me.

Of course. Those were the automatic holovision cameras with their antigravity drives. The people wanted to shoot a movie about our rebellion. Such a grandiose mass slaughtering of cyborgs would be a unique opportunity. Hundreds of millions of spectators could see these wonderful scenes of the biggest ‘Real Fight’ in history.
Something snapped inside me.

I was no longer scared. I didn't give a damn for the danger. My breathing became deep and calm once more, and I knew that I'd hit anything I aimed at. Now sitting next to me, CC-76 leaned against the wall, his pipe still in his mouth. He stared at me and fidgeted in a strange way.

“What is it?” I asked bending down as the next blast crashed.

CC-76 took his pipe out of his mouth. “I want... to ask you--well, something important.”

“Now? Then ask me right away, damn you, before we both–” A new explosion drowned out the rest of my sentence.

CC-76 put his mouth to my ear. “Look, my personal name is Wayne. And I want to know what yours is.”

I gazed at him in amazement. “What?”

He had to raise his voice because of the uproar. “It seems foolish to me to refer to you as just a number. Not now. I want to know which personal name you've chosen.”
I coughed and wiped the dust from my forehead. “Oh no. Don't you see we're going to die right away? Now what damn difference does my name–”

But Wayne's face was so earnest and full of expectation that I simply couldn't turn him down. Not here, not now.

“Call me Spartacus.”

THE END

Monday, October 11, 2010

Birdsong by Sheldon Lee Compton

I can't listen anymore. I make the music, but damn it, I can't listen. In the mirror every afternoon I check my face, pull my ears. I need my ears. At least one of them.

Through and past the lines of my face I see the kid, a chunky version of me, tired of the dump I told him was his bedroom. Asking if I had chips or anything to eat. I found cheese and crackers and, like a damn fool, left him to it. Went back to the music and kept off the bottle of ripple until my ring finger started shaking.

I frisk my coat for a lighter before I realize I'm out of smokes. Start to the gas station for a pack and then, screw it, take a left to the park. The kid always wanted the park. Soon as the sun was up, we'd pile in the truck and I'd turn the volume down on the radio, not sure he wanted to hear my music. Not sure he wanted music at all.

The park's empty. I focus, trying to hear birdsong, the wind, anything. The monkey bars are even more empty. The kid loved them. I'd watch him in the last year before he stopped coming, flip and twist, move like smoke, easy and free in the sunlight. Watched the baby fat fall away.

He's a firefighter now, she told me. I hope he still moves easy and free. I hope his hands are steady.

I close my eyes and try again for birdsong, then to remember the way the kid sounded when he laughed. If I can remember that, maybe I can keep the music, ears or no ears.

Sunday, October 3, 2010

Angela Slatter Interview

Photo by David Pollitt 2010

Hi Angela, thanks for taking the time out of your busy schedule to answer a few question for us.

Scott: It looks like you are coming up for a really big year this year with not one but two single author short story collections! Will they have different focuses and if so, have you approached the writing for these collections differently?

Angela: Hi, Scott. Thanks for taking the time to chat! The Sourdough collection was one written as a whole project – i.e. as a collection of interlinked short stories designed to form a kind of mosaic novel. The Girl with No Hands and Other Tales is mostly reprints, with 3 new stories that haven’t been seen before. Because it’s mainly reprints, this one was not so much about the writing of the stories as about selecting which ones would go in the collection; trying to make sure they sat nicely against each other and nothing jarred too much! Although I’ve already had a couple of people saying “But why didn’t you include such-and-such!?” 

Scott: I know that you are also working on a novel. How does writing a novel vary from writing short stories? How do you see your two collections helping the development of your career as a writer?

Angela: The novel requires so much more planning for me, at least – every writer is different. Some people are pantsers, some are plotters. I can knock off a short story with much less of a plan – I can just have an idea, an image or a line in my head and then craft a tale from that. Personally, I need to think a whole lot more about a novel, I really need to plot and plan what I’m going to do and how everything relates. I think the Sourdough collection is the next step for me – the idea of it being a mosaic novel means it’s kind of a ‘cheat’ way for me to practise writing a ‘real’ novel.

Scott: What goals do you aspire towards as a writer? And what drives you to achieve them? What are you currently working on?

Angela: I guess I just want to tell a good story and write something beautiful. I was at a dinner with Jim Frenkel a couple of years ago and he made the comment that some writers are good storytellers, but crappy writers – and that hadn’t occurred to me before. I thought the two were (or should be!) inextricably linked. Apparently not. I would like to be able to do both with my writing, both tell a good story and write it beautifully.

Scott: Which Australian writers or work would you like to see on the Hugo shortlists this year? What have you enjoyed reading?

Angela: I always like to see Sean Williams and Karen Miller on lists! I really hope the next year sees some of the up and comers like Peter M Ball and Lisa L Hannett and Jason Fischer. I think we’re producing some really awesome new writers in Oz.

Scott: Can you tell us about a typical day of writing for you, ie how many hours/pages/words would you put out a day?

Angela: It really depends. The days a week when I work, I write at night – so I get home from work, have dinner and then sit down at the desk for 2 to four hours and write. The days I don’t go out to work, I will sit down about 9 or 10 in the morning and I tend to write in blocks of three or four hours. I also do write-club once a week with Peter M Ball, which is basically a four to six hour block of nothing but writing, drinking coffee and eating candy.

Scott: Who are your favourite 5 authors?

Angela: Ouch, only five? John Connolly, Angela Carter, Jeff VanderMeer, China Miéville, Margo Lanagan.

Scott: What are you reading at the moment?

Angela: Svetlana Martynchik’s Max Frei: The Stranger; The World of Watches series by Sergey Lukyanenko; Catherynne M Valente’s The Orphan’s Tales.

Thank you for your time and good luck with your book.

Thank you! 

Saturday, October 2, 2010

Book Review: Sourdough and Other Stories By Angela Slatter


Sourdough and Other Stories By Angela Slatter
UK publisher: Tartarus Press
Edition reviewed: Hardback
Publication date: August 2010
ISBN: 1905784252
About Angela

Angela Slatter is a Brisbane-based writer of speculative fiction (that’s in Australia, by the way). Over the years she’s done many things in order to avoid being a writer, including administering an MBA program and studying law – it’s hard to say which was worse. But now she’s given all that up and embraced the writerly and all it entails (poverty, depression, rejection, talking to herself, living on two-minute noodles and generally being an inveterate liar). http://angelaslatter.com/about/

Book Review

Sourdough is a collection of 17 short stories including : 'Introduction' by Robert Shearman, 'The Shadow Tree', 'Gallowberries', 'Little Radish', 'Dibblespin', 'The Navigator', 'The Angel Wood', 'Ash', 'The Story of Ink', 'Lost Things', 'A Good Husband', 'A Porcelain Soul', 'The Bones Remember Everything', 'Sourdough', 'Sister, Sister', 'Lavender and Lychgates', 'Under the Mountain, 'Afterword' by Jeff VanderMeer.

It is a shame that the initial print run was only 300 copies as Angela has compiled a pretty impressive group of stories into this collection. If you like enjoy fairytales then this is the book for you, well not if you are looking for the airey fairy Disney type tales.

Sourdough is a collection of interconnected stories flowing into each other and reading almost like a complete novel rather than distant or different themed tales. Many of the short stories in this collection dealt with female protagonists with a ethereal feel to the imagery.

Slatter’s writing is exquisite and very vivid, she really is a master storyteller.

There are so many excellent tales in the volume and it makes it difficult to single out my favourite. Angela is a majestic wordsmith and her writing flows along so smoothly that each story blends into the other.

The collection opens with The Shadow Tree, a haunting and vivid tale written in third person and follows the tragic story of being an outsider and exile.

Some of the key stories to talk about are, Sister, Sister, which sees the husband of a lovely princess inexplicably leave her for the princesses evil and beastly sister, talk about a twisted freak. Does leave you wondering about the true nature of the princess though if her sister isn't human. Is the princess a monster as well, and if not, why is her sister such a stark contrast of nature and appearance.

A number of the stories deal with the old element of fairy tales under the genre of witches, both good and evil. The title story, Sourdough, could be compared to snow white where true love is triumphant over the evilness and dark nature of witchcraft. Gallowberries and Ash are two other stories that have witchcraft as the main theme. If you don’t like witches, then these three stories won’t be for you.

There are some darker stories that flow into each other, The Story of Ink and Lost Things. These are definetly not the kind of fairy tales that you would read to the kids before bed, but would be popular with the Emo culture. I can imagine a gothic book club sitting around listening to some dark and gloomy music, discussing how much they could relate to these tales.

If you like tales about lycanthropy, then Dibblespin will appeal to your senses. We have Grandpa Ezza, a bright-eyed bird, Grandma Pandy a large toad and Grandma Finkel the squirell and the adventures of their family. A nice quaint little story, unlike the darker stories later in the book.

A Good Husband is set in The Lake of the Mari-Morgan and has elements of the supernatural, sprinkled with beautiful narratives that draw the reader in and really makes you feel the tranquillity of the pool. Not knowing the exact nature, or even name of the creature lining in the pool adds to the mystery of this tale.
One of my favourites is A Porcelain Soul, such a beautiful title. It is also one of the longer stories in the collection and is a unique story about the Dollmaker’s Guild and their creations.

The Bones Remember Everything is another first person story with a story within a story.

Lavender and Lychgates is also another story written in the first person, with vivid imagery such as “No rolling acres of peaceful grass for our dead, but instead a labyrinth, a riotous mix of flora and stone, life and death”.

Book Review:Tomorrow, When The War Began By John Marsden


Tomorrow, When The War Began By John Marsden
ISBN:9780330403801
Binding:B-Format Paperback
Pub. Date:01-08-2010
Category: Children's: General Fiction
Imprint: Pan Australia
Price: $18.99 AUD
Somewhere out there Ellie and her friends are hiding.
They're shocked, they're frightened, they're alone.
Their world has changed, with the speed of a slamming door.
They've got no weapons – except courage.
They've got no help – except themselves.
They've got nothing – except friendship.

How strong can you be, when the world is full of people trying to kill you?

Tomorrow, When the War Began is the first of an enormously popular series that has been translated and published all over the world. It is the book that started the series that became the legend...

Author Information

John Marsden is Australia's bestselling author for teenagers and a highly acclaimed picture book writer. His previous titles include Winter, The Head Book, The Boy You Brought Home and Millie. John Marsden lives at the Tye Estate, just outside of Melbourne, where he opened a school called Candlebark in January 2006. The school currently has 52 students, ranging from Prep to Year 7.

Book Review

If you are like me, you hadn’t heard of this series by Mr Marsden until this year when the movie came out, staring “Rachel” from Neighbours. Glad to say the book was great and I will be getting the rest of the series to read now.
The story is about Ellie and her friends Corrie, Robyn, Lee, Kevin, Homer and Fi and is set in a small rural town in an undisclosed part of Australia. They decide to go camping, to “go feral” and spend a weekend over the Christmas holidays up the bush instead of at the showgrounds with the townsfolk. Here is where the fun begins and things turn into a Christmas from Hell. While some of the group, like Ellie and Corrie, are close not all of them are, so over the weekend they get to know each other and bond. Ellie and Homer are both from farms and Ellie’s family’s property is the closest to the trail; on coming home hers is the first place they reach, only to find that the dogs are dead. Not only that, but her parents aren’t home, the place is eerily quiet and the power’s off. There’s nothing but static on the radio.

Homer’s farm is the same. With the regular rural life so frighteningly disrupted, they’re quick to realise something is very wrong and they could be in danger. They learn that everyone in the town and from the farms have been locked up at the showgrounds, or rounded up and sent there. The big houses in town have been taken over by the invading enemy – an enemy that is faceless and nameless throughout this series, thus adding to the tension and avoiding fear-mongering at the same time. Ellie and their friends hide wherever they can, eating whatever’s left over in people’s kitchens that’s safe to eat, and trying to locate their families. They find another friend, Chris, in hiding and he joins them, filling them in on what happened.

This is the first book in the Tomorrow series and follows Ellie, who narrates, and the others as they try to survive, stay one step ahead of the enemy, and inflict what damage they can. Together they pool their resources – their knowledge, and create deadly bombs out of lawnmowers, sabotage the enemies ships by putting sugar in the fuel and other such things. Deaths occur, and the death of one of Ellie’s friends at the end of a later book is a scene I’ve never been able to forget.

Book Review:Skulduggery Pleasant: Mortal Coil By Derek Landy


Skulduggery Pleasant: Mortal Coil By Derek Landy

On Sale: 1/09/2010
Formats: C Format Hardback
ISBN: 9780007325986
ISBN10: 0007325983
On Sale: 1/09/2010
Format: Hardback
Trimsize: 239 x 160 x 48 mm
Pages: 320; $36.99

About the Author

Derek Landy

Derek Landy lives near Dublin. Before writing his children′s story about a sharply-dressed skeleton detective, he wrote the screenplays for a zombie movie and a murderous horror film. ′I think my career-guidance teacher is spinning in her grave, ′ he says, ′or she would be if she were dead.′

Book Description

Skulduggery Pleasant is back, and reunited with his original head. But all is not well in the magical world - for one thing, foreign powers are conspiring to take over the Irish Sanctuary, and for another thing, Valkyrie has discovered she might be the sorceress set to destroy the world. The problem is, she doesn′t feel she can tell Skulduggery what she′s learned... and that′s how all the trouble starts.
With Valkyrie on a quest of her own, to seal her name and prevent her evil destiny from coming to pass, Skulduggery and the gang are even more vulnerable. Which is a shame, because remember those thousands of remnants, imprisoned in the Midnight Hotel? Well, now they′re out. Not only that but they believe Valkyrie is their messiah. And that means thousands of wicked souls, desperate to get to Valkyrie, willing to kill anyone in their way... Oh, and because they can possess anybody, they could be ANYONE.

Now Skulduggery, Valkyrie, Ghastly and Tanith can trust no one. Not even each other...

Age 9+

Book Review

I have to admit upfront that Derek Landy and the Skulduggery Series are in my top 5 favourites. While Skulduggery is listed as a YA book, I have thoroughly enjoyed the first 4 book in the series and I’m in my thirties. Landy’s characters are so vivid, I almost feel like I’ve seen a movie about them. Come to think of it, I wish they would make this series into a movie or at least a TV series. The storyline is fast paced and action packed.

This is the fifth book in the Skulduggery Series, so if you haven’t read the first four, this one is going to leave you asking a few questions about the characters and plot. If you have been following the series, you won’t be disappointed with this instalment.
Mortal Coil begins around about half a year after the end of book 4, Dark Days. Valkyrie is trying to find out how to stop herself from destroying the world and they are still trying to establish a new Sanctuary in Ireland.

Landy’s characters are well developed from the first few books and really come into their own in this novel. Stephanie/Valkyrie is an extremely amusing and headstrong female leads. She witty, sarcastic and yet loving and caring at the same time. Her emotional human side clearly has an effect on skulduggery and yet she can hold her own against most things that are thrown her way.

Skulduggery himself is still as funny and awesome as ever. And the way he converses with Valkyrie just borderlines hilarious in some instances. I loved how the friendship changed in this book, and you see how much stronger their friendship has become because of the events in this book.

Fletcher is also just as vain and annoying as in dark days, but he displays a lot more of his caring/loving qualities in this book.

With regards to the plot, it seemed somewhat darker in this novel, but then this is understandable considering that they are dealing with someone who can destroy the world. The atmosphere itself was terrifying and some of the events borderline disturbing and I felt chills creeping up my spine just imagining what would happen if this actually happened in reality.

Having said that, there isn't any lack of witty banter and humour in this book and I found myself laughing a lot despite the darker tone. Whether it's the genuine laugh out loud funny parts or just the one liners and conversation from Skulduggery and Valkyrie, there's plenty to make you laugh.

Book Review: The Red Queen by Philippa Gregory


The Red Queen
By Philippa Gregory
This edition: Hardcover
List Price: $36.00
Simon & Schuster Australia, September 2010
ISBN-10: 1847374573
ISBN-13: 9781847374578

Description
The second book in Philippa's stunning new trilogy, The Cousins War, brings to life the story of Margaret Beaufort, a shadowy and mysterious character in the first book of the series - The White Queen - but who now takes centre stage in the bitter struggle of The War of the Roses.
The Red Queen tells the story of the child-bride of Edmund Tudor, who, although widowed in her early teens, uses her determination of character and wily plotting to infiltrate the house of York under the guise of loyal friend and servant, undermine the support for Richard III and ultimately ensure that her only son, Henry Tudor, triumphs as King of England. Through collaboration with the dowager Queen Elizabeth Woodville, Margaret agrees a betrothal between Henry and Elizabeth's daughter, thereby uniting the families and resolving the Cousins War once and for all by founding of the Tudor dynasty.

Review

For those of you who don’t know about this series, here’s a quick recap. In the first book - The White Queen, we are introduced to Elizabeth Woodville - a seemingly "common" woman who became queen, bore child after child and lived through so much tragedy.

Enter now The Red Queen and Margaret Beaufort. Everything Elizabeth was, Margaret was not. Kind, compassionate and loving. She was married away for the first time at age 12 despite expressing a desire to join the church. She was forced to bear a child at the tender age of 13 and lived through a horrific birth to do so. Then she was married away again after the death of her first husband, she was forced to leave her son behind. This was the life of a woman in these days and it's no wonder that Margaret turned to a female as her inspiration - specifically Joan of Arc.

Like The White Queen, this book isn't as easy to read as Gregory's other novels, but definetly a great read with the extensive information on battles, on betrayals and on the politics between the two battling families, the Yorks and the Lancasters.
If you enjoy historical romance, then this book will appeal to you, especially if you enjoyed the first book in the series.

Summer Camp by Elizabeth Kate Switaj

Emily's family wasn't poor. Their apartment didn't smell like Jackie's did. Emily knew poverty stank because every year they cut through King Street Station, where bums lived, on the way to watch the Mariners lose to the Yankees. Emily's mom didn't dig up roots in the lawn to boil for dinner like Chue's mom did. Chue and Jackie were her only friends in the complex, and Jackie had stopped inviting her over. When the gifted program was at another school, it was OK, but now everyone saw Emily walk into a classroom full of kids who always had the latest toys. How much worse it would be if they knew how big their houses were? If Emily were athletic like her sister, it wouldn't matter.

Her family wasn't poor, but when her class had gotten fliers for space camp, she didn't even ask her mom. She only got to come to Camp Sealth because she sold so much candy. Was it worth standing outside Safeway until her fingers froze? She leaned back against the cedar; its scent said yes.

When her classmates had asked if she was going to space camp, Emily said she liked reading better than science. —Besides, they don't have vegetarian food. My mom asked.
Her mom wouldn't do that. She always wanted Emily to have "just a little" meat.

Emily's counselor ran over and asked if she wanted to play capture-the-flag. Emily looked up. —No. I'm writing a poem about the stars.

Thursday, September 30, 2010

The Rescues of Brittan Courvalais by Tom Sheehan

It did not come with electricity or a smash of static on the air, but it was there. Brittan Courvalais, five minutes into the darkness of a new day, a streetlight’s glow falling through his window like a subtle visitor, was caught on the edge of his chair. Knowledge flowed to him, information of a most sublime order, privacy, intimacy, all in one slow sweep of the air; his grandson was just now, just this minute, into this world, his only grandson. He could feel him, that child coming, making way his debut into the universe, and his name would be Shag. And for this life he and Shag would be in a mysterious and incomprehensible state of connection. This, in the streetlight’s glow, in the start of a new day though dawn not yet afoot, he was told.

People of the neighborhood shortly said that the oldest man among them, white-bearded, dark-eyed, 75-year old Brittan Courvalais, loved his only grandchild Shag in a deep and special way. They said there was a virtual connection, a most generous connection between them, more than the usual. At times they dwelled on the love ingredient, and then on the old and the young, the near gone and the coming. On days when young Shag came by, just an infant in his mother’s arms, the old man’s step changed, his gait changed, his shoulders stiffened, his voice went lyrical. Some heard him singing under the silver maple tree in the side yard, the tone reaching, ascendant, carrying more than day in it or cool evening or a new stab at dawn. Shag would come, put his arms out, and nestle against the old man’s beard. The pair would look into each other’s eyes and the world about them seemed lost, distant, at odds with the very young and the very old. Brittan’s daughter Marta could only beam when the topic was broached, or say, “I don’t know what it is. It mystifies me, but it’s as if they share an infinite else.” She’d smile broadly when she said it, shrug her shoulders, be fully happy in her puzzle.

From just about every aspect, Brittan Courvalais was a very ordinary man, until such time as an extraordinary demand was placed upon him. Neighbors of the old war dog only knew what they saw and heard but a little of the hidden parts of his life, where in the past valor had surfaced when needed. Stories had been told, sometimes whispered. In Korea, it was said, he’d taken on a mountain and the enemy and beat them both. Just after Korea, out on the highway, he’d pulled an unconscious truck driver from the cab of his truck minutes before the whole rig exploded in a huge ball of fire that shut down an overpass for nearly five months. Later, on a cold spring day, skies heavy, off the wash of Egg Rock out in Lynn Harbor, he’d gone under a capsized boat and extracted two unconscious sailors. And every year since then, without exception, and for the everlasting grace of the neighborhood, the two sailors, on the morning of the Fourth of July, would set up a flag on Brittan’s front lawn, plank down three or four cases of beer and drink them off in a day long salute. Three or four times the truck driver came to celebrate. People said that other unknown visitors would drop by, have a beer, casually say a word or two to Brittan, shake hands and quietly leave, like shadows in a man’s life. Such shadows made more stories, and naturally, with such kicks for a starter, the Fourth always came up a party.

Otherwise, in his quiet and retiring life, Brittan Courvalais raised an exceptionally small patch of tomatoes with an exceptionally good yield, so good that from that little patch some neighbors could preserve a great deal of tomato sauce. That a 75-year old man had such a green thumb was quite acceptable; he’s been around, hasn’t he? That’s why his lawn was generally trimmed and healthy looking, a few beds of flowers hosted a smash of colors every year. His small cottage stood as a marker of time, of the seasons, a sort of contentment in itself. Retirement in a very tolerable neutral gear, life ebbing out in a comfortable wake, long days astern.

And then one afternoon, at a nearby park, when the seat of a swing hit another child and Marta rushed to help, Shag disappeared. Nobody, in all the hue and cry, had seen him go. Nobody had seen anyone carry him off. Hundreds hunted all the fields and pathways. No Shag. On the second day the two sailors came by to help. And the old man sat on his porch sad, morose, and ready to scream. The authorities declared it a kidnapping. Brittan, for four days, sitting on his porch, waited for some word. Marta started to speak one day coming up the stairs and the old man held his hand up, as if listening. He kept his hand in the air for a full five minutes. Marta did not speak. Later that afternoon, when the mailman came by, Brittan Courvalais once more held his hand up for silence. At his next gossip stop, at Jed Hendry’s Barbershop, and again back at the post office, the mailman repeated the story; “The old soldier is listening for something, as if it’s going to come from out of space, a space probe, mind you. Should have seen his eyes, would scare the pants off you. Like he was hearing something!”

Marta and her husband came by each day after their visit to the police station. She’d make coffee, put nibbling food on the porch table, and look at her father’s face. She wanted to reach out and touch him, to be a child again for him, but the look in her father’s eyes frightened her. “I don’t know what he’s going to do, Earl,” she said, “he’s so locked up into something, something so very different.” Then she’d go into the house and cry for an hour or more.

The weight of the world, thus, crushed down on the old man who sat waiting for good news only.

On the sixth day, all hope fading, to some all of it gone, one neighbor saw Brittan Courvalais standing on his porch, his head tipped, as if listening for a bird’s call or someone calling from out of sight, perhaps in the house or down the street. Brittan held his hand in the air as though he was asking for quiet or noting peaceful intentions to an unseen guest. The neighbor looked about and saw no other person except a delivery driver stepping down from his truck eight or nine houses away. Slanting rays of May sunlight were flashing down through young leaves and limbs and falling on Courvalais like pieces of newly minted coin. On the porch floor pieces of shadow or shade were cast like dominoes. A slight breeze talked in the same leaves and began to whisper on the edges of gutters and down spouts. Two or three times the old man cocked his head, his mouth slightly ajar, stony in intent, inert. The wind whispered, the sun’s rays played tag, the gutters and down spouts answered. Then, as if coming from a slight paralysis, unfrozen for a moment, he picked his jacket off a chair, got into his old Plymouth Duster and drove down the road. At the end of the road he turned left, toward the highway.

Three days later he was still gone.

Marta was beside herself, now with a double worry. And the police came to the house, eventually asking odd questions. First a uniformed sergeant came, questioning, slowly inserting the knife under thin skin. Then, after the topic was broached, a lieutenant of detectives came, a cigar in his mouth as he stepped from the car and came up the front walk. He didn’t stumble or trip over his words, bringing them up quickly and darkly from the cavern of his chest, half cough and half words, “Why was your father so attached to the child?” “Harrumph. Hack. Hack. Harrumph.” “He’s his grandchild. He loves him.” “Was it not an unusual love? Is it possible that the old man has taken the baby? Harrumph. Hack. Hack. Harrumph. That right now he’s with him someplace?”

People of the neighborhood began to talk. The mailman heard the talk and carried it. Some of those old stories were, in fact, made up. The old man wasn’t what he appeared to be after all. What have we made him? What kind of a man would drive his daughter into this near madness? You really don’t know, do you, what lurks in the heart of a man.

********

He’d been mystified by many things in life: the small man down in Homestead, Florida who secretly moved stones weighing many tons, supposedly by himself; a rocking chair sculpted from stone and weighing thousands of pounds, a tall vertical solid stone gate of equal tonnage that swung on small points of balance, seemingly immovable yet moved and placed. How the all-state halfback he played behind when he was a young man told him, just before the big game of the year, that his turn was coming, and there he was rushing on the field breathless in the first quarter. What had pulled him up that mountain in Korea to what he thought was certain death. How had he been able to go into the cold water to save those men after almost drowning under a raft in Lake Hwachon when his unit crossed by rafts mounted on boats with outboard motors and a mortar round had landed right beside them, all of them trussed in full gear? He couldn’t remember how he’d gotten out of the clutches of all that web equipment, or Sanders’ hands pulling at him, hauling him down.

And he never professed to understand the knowledge that came to him about Shag from the moment of the boy’s birth. That they were connected was enough for him. The corners of the boy’s mouth when he smiled up at him were locked behind his eyes.

And here he was, seven days later, vaguely answering some unlimited connection, some communication, coming at him. He didn’t know where it was coming from, and he had driven endlessly it seemed from the day he had left home, sometimes three or four hundred miles a day, sometimes fifty to sit in the middle of a park or a village green, listening.

Now, on the seventh day, hearing his name and description aired over the radio, also a subject of search, he was on the outskirts of Schenectady. He did not know how he had gotten here, but the urge was unarguable, unimpeachable. Shag was calling him. It had been that way in the beginning. It would always be that way. He knew he was near. The parts of the city spread out, and the possible routes cluttered his mind, but there was notice of a kind pulling him. It was unmistakable. It was Shag. He drove around for three hours, like a moth around a huge glowing light, the last light of the year, October light crowding down on the life of the moth.

And then it was stronger than it ever was. He was beside a mall. The voice on the radio was giving out the description of his car, the registration number, and his description. He was at least three hundred miles from home. Nobody would know him. He parked the car. Six hours later, tired, exhaustion finally coming down upon his body, he sat in a small diner and ate his first meal of the day. Shag had come and gone, but he knew this was the place. It had been so from the beginning. Sanders, all the way from Chicago, had been from the beginning, and the mountain in Korea had been from the beginning. The trucker had always been coming at him, a journey started a long time in the past, like the two sailors caught under their craft, unconscious, waiting for him.

He finished his meal and walked back outside. As he neared the Duster he saw the policeman sitting in a patrol car a few spaces away. Brittan turned to move in the other direction.

“Sir!” the voice said. “Sir!” It was a strong young voice, somewhat friendly in tone.

He turned back to the voice. The young policeman stepped from his car. “May I ask you some questions, sir? Is this your car? Do you have some ID? Are you Brittan Courvalais? Someone spotted you earlier and called it in, said you were hanging around too much. There’s a warrant out for you.”

“I’m looking for my grandson. That is no crime.”

“Why are you here in Schenectady? You must be hundreds of miles from home.” Blue-eyed, pink-cheeked, probably shaved only three times a week, the young officer was dubious, but not uncomfortable. “I checked out your car, and you in the diner. I know you don’t have your grandson with you. Not unless he’s with someone else local. Why’s his name Shag?” He was pleasant in an unpleasant situation.

“I’ll tell you, son. I don’t know why his name is Shag, but it was always going to be that. And I don’t know why I’m here, but something is telling me that he’s near here. I cannot leave this place. I’ve driven over 2000 miles, some of it in circles, around mountains, across bridges and rivers, down beside the huge Finger Lakes, Canandegua on the crown of a hill perhaps just because of its name, something pulling at me, drawing me, and it’s brought me here. I can’t leave here. I’ve done nothing but look for that boy. It’s like he keeps calling for me, but I never hear his voice. It’s a kind of impulse, the only way I can describe it. It beats or hums, but no words to it.”

“I know about names,” the officer said. “My father named me Sawyer. I am Sawyer Billings and had a hell of a time with the name as a kid. My father says he has no idea why it came to him. I handle my dukes pretty good. Had a lot of scrapes over that name.”

“Ever think that’s why your father did it? I know of someone named Lawyer and he makes tackles and interceptions, and he’s pretty tough at that.”

“Not until now, sir. Is there any way I can help you? I can make a report or hold it up. The only one who’d get upset about any delay would be the captain, and he takes enough time off so it won’t matter.”

“Just let me be around here. Whatever it is, it’s very strong. I have to check it out.”

“Where? In a particular store? Nearby?”

“I don’t know. If I knew I’d be there now. I’d have you by the collar pulling you with me. I just don’t know.”

“Well, sir, I’ll sit on it for awhile. My sister was crying about Shag the other day, saying how sad it was. She has two of her own. Father named her Cameron. Never hurt her. She’s a fighter too. But gets sad.” He walked to his patrol car. “I’ll be around. Good hunting, sir.” The car slipped out of the mall like a small animal passing through the brush.

*****

A few hours after the patrol car had departed the parking lot, his neck stiff, an old injury talking through his knee, he woke with a start. Now it was stronger, that call of Shag, that disruption on the air. He shook his head, looked for the patrol car, walked toward the mall. It came again, stronger, not a voice, not words, not his name, but a humming, a vibration, near electrical. Twice he went past one store, only to come back and feel the announcement again. This was it. Again he looked for Sawyer Billings or his car and saw neither.

He entered the store, an open building that seemed to spread as wide as three football fields. He could smell popcorn, flowers, and the burnt skin of chicken frying. Should he stay by the door? Was it the only way out of the store? Would he be here for hours? No, he would be active. He would pursue the feeling, the sensation, that vibrating hum still coming at him.

Scanning the store for the silhouette of someone carrying a child, he picked an aisle and started down it. Back over his shoulder he looked, afraid he might miss something, and looked down side aisles. A hum of voices came to him, a caustic static that intruded on the vibrating hum. A wife arguing with her husband. A father calling for his son to hurry. A brother teasing a younger sister. Then, from another aisle, the next one over, beyond the display of electric cords and lamps and shades and rows of batteries and bulbs in blue and white boxes, he felt his grandson. He felt Shag.

Back he went to the main aisle, crossed over, looked down the aisle. The silhouette was exclusive; a woman holding a child. A man near her was looking at a display of security alarms, a big man, wide across the shoulders, in worn dungarees and work boots. The woman was in her late thirties, dark hair, red lips. She hummed to the infant in her arms.

The eyes of Brittan Courvalais met the eyes of his grandson Shag. The boy’s head came up off the woman’s shoulder. Brittan stepped closer, saw the curve of a smile on the child’s lip as if it were juxtaposed on the back of his brain. He was ready to grab the boy when Shag said, “Gampa.” The woman spun on her heels, looked into Brittan Courvalais’s eyes, saw some kind of trouble or ownership there, said, “Harry,” in a very demanding voice. “We have to go. Now! Now, Harry!”
The big man also spun around. Courvalias screamed, “Get the police. This baby’s been kidnapped. This is my grandson Shag.” He reached for the child. The woman spun away. The man pushed him. His knee pained its whole length. The mountain was in front of him again. The frigid waters of Lake Hwachon were there again for him. He reached, grabbed the man’s arm, pulled him at himself, and tossed him against a display. Boxes tumbled. The woman screamed. “Help! Help! He’s trying to steal my baby!”

A man rushed down the aisle and went to grab Brittan’s arm. “Brittan yelled, “Quick, get the police. Sawyer Billings is outside in the police car. Get him! Hurry.” His fist closed around the woman’s wrist. The baby let out a yell. Their eyes locked again. Then Brittan’s eyes locked with the woman's eyes. It was then she knew her first terror. It was so very real, so unexpected. Everything was going to be so perfect. They had only been looking for a simple night-light so she could peek in on the baby, so he wouldn’t be frightened in his new room. A simple night-light.

But that turned badly too.

Officer Sawyer Billings, having spent several off-duty hours at the mall watching the old man from a distance, with a line open back to the station, was Johnny-on-the-spot. He came rushing down the aisle, boxes tumbling from shelves, people falling against displays, the small drama gaining force and notoriety. With lots of noise, a scuffle of sorts, people now crowding the same aisle, gawking at the players, handcuffs were soon on the big man. On one knee, finally down and out of it, the man cursed at the heavens and the gawkers. The woman screamed a terror as the baby was taken from her arms by Billings and lovingly put into the arms of his grandfather, a suddenly tired old man, weary from road-frazzle, the long search, the endless beat that had set at his ears. Brittan Courvalais, with Shag nestled once again against his beard, his heart not yet at rest, heard no more humming but in the trade-off was feeling the ultimate joy. He could just about hear the phone ringing at his daughter’s home 300 miles away.

Wednesday, September 22, 2010

The Old Man of the River by Tom Sheehan

There were times, Musket Jack Magran swore, he could hear a dog pissing in the night, another drunk pissing in another alley, a moth touching down on a lighted globe or, between his ears and his fingertips, humming and vibrating, the vast platelets of the Pacific Rim moving on each other their endless rhythms. In tune with the universe was he, had been forever, and tonight was no different. He had his booze, he had his sack for the night, he was in touch.

Pieces of a broken moon splashed on the dark blue waters of the river and shot off the ripples of a late wake, a small craft having passed by minutes earlier against the other bank, a craft without night lights, dark, sly, faintly noisy, like a ferret in the rushes. It had been down river, possibly out to sea. Musket Jack Magran, groggy from sleep yet ears cocked, bones still bearing an ache in his old body, could hear the fading engine’s hum from upstream darkness, where trees on the curved banking and a small copse of birches gave off vertical neon, slim arrows in a quiver, catching moon traces. Skullduggery without lights, he whispered as darkness swallowed up sound, as night crawled back to its place of keeping, the gathering of silence and darkness.

On the deck of someone’s lobster boat tied up to the T-shaped pier at the Lobster Co-op’s landing, Musket Jack Magran had begun another night free of rent. His old canvas shelter-half, infantry issue, its Army legend imprint long faded, not mated for thirty-odd years, edges frayed and stringy, the sheen gone to lively abrasions, still kept the dew and late dampness off his single blanket. He knew the odd stars; on five continents he had slept out in the night, and on islands and territories too numerous to mention.

Now and then he’d swear the water lapping at the dock or the sides of the boat was hypnotizing him, melodies lingering in the sweep and ripple, old station or post songs mostly without words, the wide world at call and command… China Night… Japanese Rumba… Manila Moon… The Maids of Mandalay… and, for brief catches, Lily Marlene, underneath the lamplight by the garden gate. It was better sleeping on an odd lobster boat on the river than under the steel bridge or up above the pier on a park bench, old ladies too nosy or too solicitous, or old men looking for company or a voice in the darkness. Side benefits came easier on strange boats; general silence within darkness, the long and rhythmic inland reach of the sea, time passing off its melancholy and letting him handle it on his own terms. In another five or six weeks he’d think about hitching a ride south from a gypsy truck driver. On this night, like the others on numerous occasions, came back the old promise he’d made to himself in too many dry and arid infantry posts that some good part of his life later on would be spent on the water, the obverse life of a sailor, the eternal hum coming off that span about him. These lobster boat nights were part of that promise.

The last burp of the boat whispered to him from the bend of the river, beyond the silvery copse. His large ears, derided by many for years, were keen for sounds and had saved him and comrades in numberless firefights or skirmishes. For the bracing of comrades, being called “Wingsy” by some, “Elephant Ears” by others, he readily absorbed and accepted the ability to hear the click of a rifle in the mountain or jungle darkness, or on the wide sands of the Sahara Desert.

Then, for a lucid moment, another piece of the moon falling across his eyes, he heard again his father on the porch back in Vermilion, Ohio talking about Black Jack Pershing, a perfume of cool sweet breath coming off Lake Erie, Canadian air at its best. In another moment, as if in a movie, he saw himself caught in his tracks on a distant post at distant years as Call to the Colors came to him, hauntingly clear and infallible. All this time the tune was still riveting, making shivers at his spine, making dictates, driving his mind for known or unknown reaches. What post it was he could not remember, some place off in the vast world of his adventure, but he heard the bugle as clearly as that same revered moment, and then came the command in his father’s voice. He flirted with an argument about memory’s structure but quickly gave it up. The last ghostly purr of the faint motor sound brought him back. Two nights earlier, just after midnight, the same boat, or one sounding just like it, and without night-lights, had crawled by his night bed, the deck of another lobster boat.

Not only a free sleep brought him to the river, or the toss of the sea, but also an occasional beer found in a cockpit or cooler, forgotten with a good day’s catch. Tonight he’d found a six-pack and drank two cans, putting the empties back in place, draping the plastic loop around the cans. And a half pack of butts with a lighter, quick treasure. Yet his mouth was sour for the find, his palate sassy. The low hum of the dark boat having faded completely, he whispered half aloud through that sour mouth: Tomorrow night, from the other side, from the Lynn side, I’ll watch for that boat. Something tricky in the wind, I’ll bet. What moves in darkness sure isn’t light. From the other shore, eastward under the moon, from a distance on the Lynn side, came the closing of a door, a faint yap of a dog at relief, a hushed command, the door closing again on the night.

Well before dawn he slipped off the boat and made his way around the lobster shack and up the road heading into town. Few cars moved on the road, but their lights danced on his face as he moved towards a morning of washing dishes at Smokey’s Diner, where lobster boat crews swallowed breakfast like a Lenten fast was over. Their breakfasts were mountainous, as if they’d be at sea for a week. And they talked as they ate, part of the ingestion process, noisy and garrulous like someone gargling and getting rid of a bad night. He loved to listen to them, their gripes as timeless as the tides, sea stories like barracks stories with characters rising from their oratories like people off-stage in a play, not seen but heard from. “Friggin’ line was cut by knife, ain’t shittin’me none, them assholes from Bev’ly!” “Swear she’s got these humungous tits you can tie knots in!” “When she straddles, man, you fucking disappear from the face of this here good earth.”

Often they were subject to poor fortune and seas that turned savage in eye flashes. But they were a vibrant bunch in spite of their lot in life, hard drinking and hard swearing, riding at times the crest, at times not. Jack had seen hands and fingers mangled by sudden ropes or arthritis or the curses of salt water, arms laced with scars so deep they could make you wince. He’d seen storms that sat in some men’s eyes long after the wind had faded on-shore. Like watching a late movie, he said to himself.
Dud Whelmsly of all of them intrigued him the most. Dud, to Musket Jack’s eyes, was built like a Budweiser keg with short arms and short legs, the lord of the realm perhaps, perhaps of the river and the fleet itself, but a voice with a threat of music in it. “Goddamit, Smokey, repeating this all the time just about spoils my day…don’t break the yolk in my egg sandwiches. Let ‘em break themselves and sop in, the way I like ‘em. Let ‘em sop into them there bulkie rolls, goddamit!” Jack almost broke a gut the night Smokey came out of the men’s room right behind the counter zipping his fly, the hopper flushing, and started to mold two hamburger patties for Dud. "How'd you want them hamburgers, Dud?” he had said. Dud had looked up from his newspaper spread across the counter, looked around the room, caught a few eyes, bent his head in the way he had of doing it and said, “Well, Smokey, might’s well cook the piss out of them two little fuckers.”

Now this morning, the sea out there for the moment calm, the noise here intense as the day loomed in front of them, there was talk among the lobstermen of thievery, missing lobster traps, lines cut. Some unknown force, out and about the good earth, was lining up against them. There was talk of a night watch and Coast Guard involvement. The small diner hummed with a loose vengeance and anger. It was a recent activity obviously grown out of hand. Eyes often spoke as loud as words, layers of cigarette smoke cut by their stares, revenge working the horizon.

“He comes under my knife he’s chum bait,” burly fisher Fall Dixon said, patting the near-Bowie blade sheathed at his belt line. That patting hand was enormous in its spread, and bulbous as though an arthritic warrior had lodged there. The years of seawater and salt, hawsers and traps, inured skin and bone and callus with a quick identity. Fall, like Dud, would be known hands-down in a crowd, lobsterman.

“I’m suspecting he must sure know his way around what he’s at,” Dud offered, half pivoting on the counter stool, a page of the paper twisting with him.

“What the hell does that mean, Dud?” The voice was from behind a newspaper in the corner.
“Simple,” Dud said. “One a us or knows us too good. The price down, what a small catch does to a man’s day. Anyone know anyone wants a boat real bad?” He stared out the diner window, not letting his gaze rest on any man, effecting neutral for what it was worth, yet it was like slipping a knife point into the clasp of a sea clam or quahog. It was harsh intrusion, the room itself being cut.

Musket Jack saw rather than heard the silence. Heads lifted, eyes aimed like pistol sights, jaws froze on words. Union and divinity and brotherhood were once again at the forefront. Musket Jack, for all his downhill slide through a whole lifetime, knew what was happening there on the line. He could feel its net, had lived within it, depended on it; Hug Scroggins’ dive on top of the grenade seemed a hundred years since came back with ferocity; and followed Little Davie Davenport’s sucking up pieces of his own grenade. They had made and broken many a day. The elitism of fragmentation, its hunger and global dissemination, leaped at him. These lobstermen all about him were certainly now in the throes of some kind of war. Hostilities had begun in part, he was sure.

The corner speaker spoke. “You’se first hit, Dud. Seen nothin’ that day you went out? You was early enough, I know.”

“Nothing but my lines cut. Lost thirty traps and whatever was caught. Nothing on the horizon. No oil spills. No markers of any kind, but what he loosed from me. Rat-ass bastard’ll get chummed, that’s for sure. I guess nobody here knows anything or they’d be speaking up about now. Never too late, even if it’s your brother or your son or your son-in-law or your old daddy.”

“You swearing to that, Dud, that it’s one us or close to? That’s powerful stuff for breakfast.” It was Napoleon LeMars who Dud had fished out of the Atlantic two years earlier, after twenty-two hours in the water. “I’m going to take an early look. Over by Hatty’s Run, then I’ll come back by the Pines Light.”

“You not fishing today, Nap?” Dud said.

“I’m giving my day up for looking. Somebody else can do it tomorrow. No kids sitting to my table.” He snickered, “Least not so’s I know.” The ladies’ man of their group basked in a moment’s glow, not one hair of his thick crop out of place, pleasant crinkles at his eyes, his Roman nose as clean as the day he was born. “If’n I see anything I’ll let you know. Tomorrow’s somebody else’s day. But, hell, Dud, I don’t know what the hell to look for even.”
Dud was not imperious, but a bit lordly in his advice. “Keep a sharp eye, Nap, for what ain’t supposed to be where you see it. If it’s not in among us, it’s sure like us. That skirmish they had in Beverly back a few years, when they were losing boats and traps and lines galore, it was outside but inside, if you know what I mean. Someone wanted the riverfront or the harbor for commercial stuff the guys of the fleet couldn’t touch in a hundred years. If anybody hears about that kind of thing coming here, we got to sit up right away.”

Fall Dixon came off his stool. “There ain’t been a whisper about someone new trying to get the river cleaned up, and us out of it. Not for a few years now, but it’s always there. That ain’t anything new, but it’s sure been quiet. No snoopers I know of. No real estate guys walking around with little notebooks in their hands or talking into small recorders, getting so frigging lazy at it now. You heard anything, Dud?”

Musket Jack loved to watch Dud Whelmsly operate. He’d seen a hundred company clerks over the years running the whole show of an infantry outfit, and Dud was not unlike them, letting innuendoes and side remarks do the work of order and command. Mere suggestions built slowly on themselves, became laws unto themselves. Questions, posed the right way, in the right tone of voice at the right time, in some measure became fact. It was an art form. Dud’s head lowered on his massive body like a turtle retracting, then he scrunched his eyebrows and looked deeply into Fall’s eyes as he let his baritone voice float across the diner. “What’s a stranger among us, if he’s not a brother?” At an angle he held his suppressed head, for a moment breathless on stage. Musket Jack shook a little in admiration. “What’s a visitor in our midst, if he’s not a brother? Who are we, being alone, but brothers?” It was part of the art form, as if he had gone down into his body to find those words and then shared them.
And it was as if an edict had been posted in Smokey’s Diner, an imperial edict. In the kitchen, looking out through the serving window, the old soldier almost pissed his pants having a good laugh. Dud Whelmsly had said nothing at all, not a damn thing, and here was rapt silence stunning the room as if some ages-old philosopher had made a pronouncement. He could remember no beliefs or espousals except names. Dud could be like Locke or Kant or Descartes or a hundred others floating at the back end of libraries, dust coming down atop their words, dead a hundred years and still making waves just off the river. Dud’s head was still at that most confidential angle, that sharing pose.

“You oughta be in the movies, Dud.” The voice was still behind the newspaper, like a small bell tinkling a few stray cows home.

Dud pretended he didn’t hear that pronouncement. “If there are people who want us off the river, they’ll come at us any way they can. But the pocketbook’s the best way. That’s my traps and your traps. My boat and your boat. My catch and your catch. No boubt adout it!”

Now, Musket Jack also realized, Dud Whelmsly was coming at them with the real ammunition, Topkick stuff. He suddenly realized that Dud knew there was an enemy within and about. Was damn sure about it. And Musket Jack himself had been witness to some piece of it. The fading sound of the midnight engine came back to him, even as dishes rattled and glasses tinkled against one another and silverware was in minor crescendo. The idea of energy came at him, the spurt of it, his blood moving. First it was heat from his task, the water scalding and steamy. Then it was an old convoy climbing the long slight grade of a hill he thought perhaps was outside Wonson on the way out of the Pusan Perimeter. Then it was a flotilla of craft as they crossed Lake Hwachon, a whole battalion of infantry. Then it was the men of the lobster fleet sitting out there in the little stuffed diner, the smoke hanging in the air like old rifle residue and burning cosmoline and spent gunpowder going on a day old and the hurt still in place.

“All I can say is that it’ll probably start at the town bank if that’s what it is. But I’m telling one and all, something’s up and about and it pays us to look close to anything odd. From the landing, and both river banks all the way out to the Big Daddy.”

***

Musket Jack Magran was a listener. He kept his ears cocked for every piece of input. Washed out, but fed well by Smokey, an old soldier himself, the small mountain of morning dishes washed and put away, Jack walked away from the diner at ten of the morning with two fried egg bulkie roll sandwiches in his pockets. Way ahead of time he had planned his move to the other side of the river. If that boat came again, in the slip of darkness, he’d be watching.
After midnight, cloudy, the moon off someplace, the old soldier felt the disturbance in the air before he heard any sound. On the other side of the river, from the Lynn side, after passing through the small yard of boat gear, he had slipped aboard another lobster boat. He had spread his blanket and shelter-half, found two beers in a cooler, had a few nips picked up earlier, strictly for his late watch. Darkness invaded his thoughts. The river, like every river he had ever known, was alive even if mute, from the Pukhan to the Mekong to the Saugus. From deep in his past he remembered a perimeter outpost, two ration cans tinkling on a strand of commo wire as the Chinese infiltrator tried to come up his hill just beyond Lake Hwachon at three in the morning, to try to toss a grenade into the listening post bunker. He felt anew the chill slipping up his spine as he remembered that slight tinkle of cans, and now, under dark clouds on a dark night on somebody’s boat, the small vibrations came to him from the body of the river. The supposedly mute river, its waters trying in vain to catch another tune.

Musket Jack Magran sat up slowly, the shelter-half sliding off his form with the soft grating sound of canvas. That old sourness was in his mouth and a new ache at his shoulders. He cursed a sleeping foot yet caught with tingles. Commiseration was his until the purr and put-put of an engine brought him to attention. There was no moon, no offshore lights falling on the body of the river, but there were shadows. Shadows in spite of their being give measurement, and he peered over the low gunnels, giving least mark to the given contour. Other lobster boats rose dark in the darkness, small radar and radio equipment slim atop their shapes. The water slapped almost in silent applause against his bed boat, the small boat coming up the river sending tremors ahead of its passing. The slow roll of his craft was sensual, the rivers of the world never letting go. He saw a girl on a bed of straw reaching for him, that too had been beside a river whose name was now gone, as was her name. The boat rolled again, slowly, the sound of an outboard came like a whisper. He saw a shadow moving. Then he saw two men on a small dinghy. He heard the splash of liquids. One of the men was spilling liquid from a five-gallon can as they circled around each lobster boat. He recognized the dinghy with the phony spar out front. It was Dud Whelmsly’s dinghy, but neither of the two lank and lean men on the boat was Dud Whelmsly.
Then Musket Jack caught the unmistakable odor, the rich purifying odor, the nostrils-cleaning odor of raw gasoline. They were going to torch the river! They were going to torch the fleet. Tag! He was it! Tag! He was the sole guardian of life and limb and liberty. Scroggins came back, his dive through the air on top of the loose grenade. Little Davie Davenport had carelessly dropped his grenade at his feet. His eyes had gone wild as he looked around at the squad, and then fell down on top of it. They were faces in his night, Scrog and Davie. He saw their eyes, their mouths, their chins. He knew them again, knew that they would never leave him. Had never left him. I’m half drunk, he said to himself, as the dingy circled around another boat, and another five-gallon can spilled against the side of a boat and splashed on its deck. I am the last night guard, he whispered. They were forty feet from him. He was sure he did not know them, sure they were not part of the crews at Smokey’s Diner. That thought sat well with him. What could an old drunk soldier, years past his last hitch, do in such a situation?

Musket Jack Magran let the shelter-half and thin blanket fall away from his body as he stood in the shadows of the cockpit. “Halt!” he yelled out. “Hold it right there. I’ve got a wild-ass Forty-five aimed at your last can of gasoline. You so much as move a muscle this little cannon of a sidearm’s going to go off with a bigger bang than you ever heard! Now you tie off onto that boat and sit in your little dinghy until I rouse some help or so help me you’re nothing but flames.”

He yelled, loud and hard, for help. Upriver a light went on, and then another. Behind him he heard a door slam. There was a pounding of feet, booted feet, on the Saugus side. He kept on yelling. “They’re pouring gasoline on the lobster boats. Watch your ass! Don’t light anything near a boat.”

“Who’s that over there?” one voice said, throwing a torchlight onto the river, letting the light ray fish around.

Jack recognized Fall Dixon’s voice. “This here’s Musket Jack. There’s two skinny gents who were dousing gasoline onto the boats. They’re tied off to Gunther’s boat here, the Maryanne Kay. I got a Forty-five aimed somewhere near their balls and their last can of gas. Call the fire department if you want these boats saved. They been using Dud’s dingy. Better get his ass down here.”

One of the men in Dud’s dinghy moved. “You move again, feller, and you’re flame. I swear to God you’re flame.” Back across the river he yelled to Fall Dixon, “Better hurry, Fall, my goddam finger is getting tired on this here trigger. These Forty-fives were never any good. I couldn’t hit a bull in the ass with one, but the round’ll go someplace close.”

The night watch of Musket Jack Magran was over. The scramble came: firemen and hoses and decks washed down, police going out to the dingy and bringing the two tall strangers ashore, Dud finding his dingy chain snapped through at one of the lower links against the dock. The smell of gasoline slowly dissipated in the morning air as the dew came down and the tide went out.

One policeman, coming across the river in a small dinghy, said to Musket Jack, “I’ll take that Forty-five now, mister.”

“Shit, man,” Musket Jack said, “I wouldn’t own one of them little cannons for all the tea in China. Never was any frigging good at all, them things, ‘cept you carry it you didn’t have to shoulder a rifle. And that was pretty good unless you had to use a rifle.” He held up his empty hands. He smiled at the policeman.

At Smokey’s Diner, the air thick with cigarette smoke, a brand new pack at his elbow, a pile of scrambled eggs and bacon and a pot of coffee in front of him, the new god of the river told his story over and over again. And the identities of the two men and their connections were swiftly known and more arrests promised. “They must have been casing the river the night before, trying to see who or what was round, what the lay of the land was, what they could get away with.”
The voice behind the newspaper said, “They never counted you being on guard, Jack, no boubt adout that.”
Dud Whelmsly said it at last, his head in that confidence-sharing angle, his voice dramatic but honest, “The Staties’ve been onto something for a long while. Some development company from out of Providence, and you know what that means, wants the river for something big. Maybe gambling or a casino-boat kind of thing. Who knows but them who wanted to put us out of the river. Hell, taking traps never did it, or cutting lines. We’ve been through enough of that crap. This was going to get us big time. Me and Fall’s been keeping an eye for a long spell, but I was too quick to sleep the night before and Fall was out of it last night. Took the old soldier here, half in the wrapper I bet, to stand guard for us, like he’s always done.”

Another spill of Jim Beam went into Musket Jack’s coffee cup. “You got a day of it coming, Jack, and then we dry you out and get you a ride south. No more dishes for you, soldier.”
Musket Jack Magran, an aura of cigarette smoke swirling around his head, his eyes beginning to fish once more, the alcohol putting the quiet down in place, old scars getting buried bone-deep in his body, vaguely remembered a boat ride on a river flowing away from the hills above Leyte. A girl’s dark skin he could recall and the light of stars in her eyes, but could not see her face. The way the Earth shifted under him, quietly but dramatically, came back, the whole range of it. A tune from down a wide river came at him as if night were finally taking leave of itself, a post soldier out on the edge of darkness playing his guitar, while overhead the Manila moon went sailing wherever its voyage took it.

And for long hours no person had called him “Wingsy” or “Elephant Ears.” Not a one.